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The Hobbyist

by Telyscopes

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Alexander Aultman
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Alexander Aultman Jack is quite a talented songwriter. One thing that impresses me the most about his work is his ability to construct oddly beautiful chord structures and shifts. The soft, often falsetto vocal harmonies and melodies that trail along these chord patterns certainly emphasize this. If it wasn't already described as an album of b-sides, I wouldn't have been able to tell otherwise. All of these songs sound fully crafted, and they seem to work together. Favorite track: Saint Asaph (formerly Fade In).
Shay. // Shady Monk
Shay. // Shady Monk thumbnail
Shay. // Shady Monk I had the unique pleasure of being semi-present during a good majority of this albums creation. As i was fortunate enough to live with Jack during the bulk of it's initial recording, i'd heard these songs through the hallway & through my walls for months, & would hum along after not too long, forgetting they weren't released. Telyscopes has a knack for composing tracks that feel familiar, like a comfortable space you've grown fond of, while simultaneously changing things up in the best of ways. Favorite track: Saint Asaph (formerly Fade In).
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1.
Dreams they never come they just come undone All my sweaters shrank in the wash Classic when you're dead but now It's bedroom pop So I'll run my car seat in the garage Or drink myself to death yelling at the TV Cause I'm too scared put a bullet through my head Rivers coulda done another Pinkerton But he made Hurly instead Red hands, He's just a business man You're the glistening light we've all been praying for You're the golden ship in a Sea of assholes Shake hands Will, I'm your biggest fan Soft hands You're just a business man Friends come out and drink and have a good old time But it never seems to go anywhere The numbers dwindle as they all get married and die Rumors excite the air We've all been pissing in the same damn pot, And we've all caught syphilis So why can't I Rise above the rest? I've got big plans You'll never understand Break hands I'm just a stoneage man Don't be disappointed Don't be so concerned Pile up all the evidence We need a flag to burn burn burn Get out of the past, pull your head out of your ass We won't have social security Kennedy was an inside job, the American dream is dead This isn't 1953 SO SO SO SO So shake hands The devil is a business man.
2.
I'm sorry if I happened to sound curt I was trying to save the last of my voice But since the rest of the band is out getting drunk I might as well let myself have some fun Are you old enough to try? Are you still young enough to die? You really let me down, but I lead you on, so save the chatter and bites. Our bassist never pulled the car around so we continued drinking for an hour None of us realized he was busy touching his nose and walking in a straight line. Am I the chernobyl dog? Do I really have no spine? I didn't want to have to tell you this over the phone, but things just aren't looking up for me. I'm going to have to quit the band. Yes, I quit Telyscopes. But I hope that you'll both understand, that it's not you, "It's not you it's not me" It's just me because I have no spine. I really am the chernobyl dog I have no spine at all. I am the chernobyl dog I have no spine.
3.
Nothings 04:35
Meet me Sunday morning We'll hold hands and walk to church Race you to the coffin Hold our breaths, take turns Leave me for the vultures Let them pick me to the bone Chase you through the pine trees To the pond skip stones What's happening to us? We're turning into nothings Meet me in the gutter Share a needle fall asleep So hard becoming valiant When it's so easy being sheep So I'll see you Sunday morning Cross our fingers scream to god But if no one else can hear us I always knew he was a fraud What's happening to us? We're turning into nothings So hang your halo high in the trees Because nothings become Nothing.
4.
Waiting around for grace Just a pinch goes a long way No one comes home Comatose, she's overdosed Less than ideal How ungodly how unreal Snow As our feet followed stones, Sun hit the fence leaving lines on the graves like June Where our pale bodies lay Headlights drew lines through your closed window shades Waiting around for grace Perfect view of the wrong way Turn on, tune in, jump out Jump out June Where our pale bodies lay Headlights drew lines through your closed window shades Leaves On the steps while we wait Moon hit twigs leaving lines on your face But soon When we evaporate Will sun slip the cracks and leave lines on the grave?
5.
6.
(I was never anything special I was always ordinary in every single way As I've aged I've realized that we're all the same in every way And I was always ordinary) When I get so overwhelmed With the state of my home It's much easier digging a hole Were I can put my head until the morning comes I keep telling myself that its only a bad dream But I'm still waiting to wake up and run to my mother crying Is the world really ending at all? Or am I just holding it's weight for the very first time? (You were never anything special You were always ordinary in every single way As you age you'll realize how we're all the same in every way You were always ordinary) And so it comes and so it goes And so it goes and so it comes And when it comes nobody knows No one knows just when they go...
7.
Climbing up the social ladder I ain't got no time for you When I get there it won't matter Too late I'm dead and rotten Long forgotten now So it comes and so it goes And so it goes and so it comes And when it comes nobody knows No one knows just when they go Hanging off the social ladder I can't go another rung Please don't let me fall to my death Don't squash my fingers I knew you never liked me anyway Please excuse me if I'm not making any sense And please forgive me for my ignorance But it's a crime, and you all should be accountable For the crimes that you're holding me accountable When you tap my line and I can't speak without every word on tape I won't salute to some kind of plague When I can't leave the house without the trackers keeping tabs I want to die young and fast So come on and entertain me while Rome is falling Rome is falling And so it comes and so it goes And so it goes and so it comes And when it comes nobody knows No one knows just when they go Hands tied behind my back, fire away.
8.
Saint Rémy 03:19
9.
No winter has ever been colder than December in Philadelphia. No year has ever been longer than the 10 months I couldn't leave my house. You ever bored of the wind and the snow and hanging high off the edges of the glode I'm just down the hall, last door on the right... Don't hesitate to drop by sometime cause I know you've got my address. Hold my head under cold water and get me to pray Slap my face and take all my medicine bottles away It's a long way down But we can't get any lower now.
10.
Heaven 04:35

credits

released December 3, 2017

Cover photoshopped by Adam Privette.

An album by Jack Hubbell, except:

Trumpet on tracks 2 and 3, string arrangement on track 9, additional vocals on tracks 2 and 3, and otherwise constant criticism by Jason Tyler.
Drums on tracks 1, 3, 7, and 9 by Pablo Cabrera.
Additional "beat" on track 5 by Scott Stevenson.
Drums on track 4 by Karl Hovmark (re-sampled from Anesthesia*).
Additional drums on track 5 by Harold Frederiksen.

'The Chernobyl Dog' quotes from the Lynyrd Skynyrd song 'Free Bird'
(c) MCA Records)

All lyrics and music by Jack Hubbell except "Fade In" original music by Jack, Pablo, and Bastian Kunu (A MARC Train Home)

Original painting/collage by Jack, but huge thanks to Rob, Danny, and Sam for donating canvas.

Also thanks to Chris Anderson for listening, critiquing, and donating all of his free time to promote this album.

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Telyscopes Philadelphia, Pennsylvania

"Since 2012, Telyscopes has molted through one reinvention after another--shedding layers of lo-fi psychedelia, chamber pop, jazz, and electronica like cocoons as the project grows more legs, prettier wings, or sharper mandibles. The lifeblood remains the same: offbeat lyrics and striking melodies. Often ingenious--never typical."
-The All Scene Eye
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